Thailand's first MMA World Champion - Shooto Flyweight Champion
Rambaa is an incredible character. Pretty much every former Thai fighter I’ve ever met still carries who he was as a fighter - the way he was in the ring - long after they stop fighting, but with Rambaa it’s something unique. Part of that, surely, is that he was such a unique fighter in his youth. If you picture the kid in your family or who you grew up with who just had endless energy and never calmed down, that’s Rambaa. Watch his old fights, the way he dances into and out of the ring, doing flips when he wins, screaming at the camera… that’s all semi-familiar because of these ‘roided out WWE and UFC fighters who do things like this, but in Thailand, to Thai culture and from a Thai kid, honestly I can’t even imagine what that looked like to the audience watching Rambaa 20 years ago. He has settled down, or come to a simmer in his early 40’s, but that energy is still in there.
One of the things I love about him, and what makes it quite challenging to work with him, is that he trains with this energy. He gives you a technique, lets you try it out at half-speed once or twice, and then Bam! it’s time to go live. Everything is put immediately into fight energy and fight context. He takes the power down and he doesn’t actually knock you out, but the Adrenaline rush and fear and being overwhelmed is all real-time; it’s not simulated. And that’s one aspect of these clinch throws that really stood out to me, was how they make you feel as the opponent being subjected to them over and over again. They make you hesitant; they tighten you up; they get in your head and heart because you’re having to pull yourself up off the canvas over and over again. But from the other side of it, when you’re the one tripping and throwing, it makes you look invincible. I’m not sure because I never got the hang of it, but it likely makes you feel invincible, too.
Rambaa’s style is definitely the busy, high-volume striker. But not tappy tappy - his shit hurts. He’s like a wasp, just stinging and stinging while blitzing around to attack from different angles. He told me very early on, in one of our first training sessions together, that he didn’t like clinch because he’s short, so it made him tired to struggle against taller opponents. So it makes sense that his clinch techniques are, more or less, how to disengage from the clinch in a spectacular, soul-stealing fashion. They can be used the moment someone grabs you (which is great if you’re a K1 fighter or if clinch is not favored in the scoring system you use), or midway through a clinch exchange when your opponent is shifting to a better position. None of these moves come out of a super dominant position, which means you don’t have to work towards one in order to use them but rather can focus on timing if you have an active opponent. An exception is that for the moves where you shove your opponent back, you need to have an inside position to get your power onto their shoulders. But then you only need that position for a moment and you don’t have to maintain it. It’s very cool to learn these techniques from Rambaa, because his style was so sensational as a striker you might never know that he had all these clinch techniques in his bag (and maybe he didn’t as a young Muay Thai fighter, but he sure as Hell does now after becoming Thailand’s first World Champion in MMA).
Some things to look out for in the video:
TIP BOX: if you are inspired by what you see and want to show added appreciation you can send gratuity directly to Rambaa. Just message $5 or more via PayPal to the address sylvie@8limbs.us, please in the "add a note" section specify "for Rambaa". I will transfer the funds.
KRU FUND: additionally, 5% of all Patreon pledges go into my Kru Fund, and is directed back to the Krus and ex-fighters who have helped make this documentary Library possible: http://8limbs.us/muay-thai-thailand/starting-the-kru-fund
Yuri Savchenko
2021-03-26 20:19:47 +0000 UTCSylvie von Duuglas-Ittu
2017-08-15 15:56:29 +0000 UTCZaki
2017-08-05 00:48:48 +0000 UTC