Figured I'd share another example of being clear about your focal points. Remember, think in terms of contrast sliders- you've got value, shape and color and you can have more or less of each, but your focal point will always be that which has the biggest total amount of contrast.
When you look at a painting, it's a great habit to always seek the focal points and different tools that the artist employed to create the initial effect. If there are better artists than you (which there always will be), looking at their work might be demotivating sometimes, but if you try to view each image as a good solution of visual problems which you can learn from and later emulate, it's very difficult to get bummed out when looking at amazing art, and you tend to get inspired instead.
Here's a sketch for a painting I did:

I already had a clear idea of my focal points: 1st, the head, achieved by the biggest value contrast, as well as the jagged shapes that don't appear in the rest of the illustration
2nd the hand, which is very bright and warm, and
3rd the hammer handle with that reflected highlight
Here's the final illustration, in which I kept the same value and color relationships:

And here's a posterized version of it to stress the point:

If you compare the colors and values of each bright shape, it's very clear which one is primary and which secondary.
ALWAYS BE INTENT ABOUT YOUR FOCAL POINTS!
Ognjen Sporin
2021-07-19 12:04:48 +0000 UTCOgnjen Pavkovic
2021-07-19 11:29:40 +0000 UTC